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The band consisted of Bob Mould (guitars, vocals), Greg Norton (bass) and Grant Hart (1961 – 2017) (drums, vocals). Mould and Hart split the song-writing duties. The band was never widely popular, but had an impact much larger than sales might indicate. \"Husker Du\" is Danish/Norwegian for \"Do You Remember\" (also a popular children's game as Hūsker Dū?). Read more on Last.fm","content":"Hüsker Dü was an American alternative rock band from Minneapolis/St. Paul, Minnesota, active from 1979 to 1987. The band consisted of Bob Mould (guitars, vocals), Greg Norton (bass) and Grant Hart (1961 – 2017) (drums, vocals). Mould and Hart split the song-writing duties. The band was never widely popular, but had an impact much larger than sales might indicate. \"Husker Du\" is Danish/Norwegian for \"Do You Remember\" (also a popular children's game as Hūsker Dū?). Hüsker Dü first gained notice as a hardcore band, with thrashing tempos & screamed vocals, but also with a melodic, soulful edge that became more pronounced in the band's mid-career, as they drifted away from their early sound. They were also a striking trio on stage — far different from the typical hardcore band of the time — with Mould's hulking, doughy presence shouting angrily at stage left, offset by the generally unkempt, long-haired Hart flailing on the drums, and the lanky, good-natured Norton, who sported a waxed handlebar moustache for most of the band's career.\n\nHüsker Dü broke with the anti-traditionalist ethos of most early hardcore bands. Their early songwriting shows the influence of folk, 1960s pop music, blues, and other forms (although often buried under a thick layer of angst and aggression), and has a strong melodic sense. The lyrics made astute, sharp, personal and social commentary, showing a great deal of vulnerability and sympathy for their subjects. Hüsker Dü's songwriting was widely admired, and their live shows were often a venue for brilliant improvisational playing. (A feedback-laden solo guitar performance from an early-'80s soundcheck tape merited release via the avant-garde Telus Magazine.) Hüsker Dü were also, however, widely regarded as somewhat unusual-sounding in their early prime, due to the instruments' non-standard tones: Mould's guitar is described below, while Hart's drums were considered 'thumpy' (and he consistently played slightly behind the beat); Norton played bass fairly laconically even at fast tempos, using his fingers rather than a pick. The band's sound can be considered an organic synthesis of these elements -- a unit that was quite powerful in combination, yet perhaps difficult to parse singly.\n\nA particular strength of the group was the two powerhouse singer/songwriters, Mould and Hart. The tension between their musical styles (Mould was generally the angrier songwriter, Hart the more melodic one), and their willingness to collaborate, made the sum of their contributions greater than their parts. Another strength was Mould's unique, resonant guitar sound, described by a critic at the time as \"molten metal pouring from the speakers.\" Mid-period Hüsker Dü songs are immediately recognizable via Mould's incandescent guitar tone, achieved by splitting the signal in the studio between amplified and direct tones and adding a light stereo chorus effect. Mould's technique involved playing resonant drone notes on the high strings. Although a trio, Hüsker Dü generally sounded extremely large on record and live.\n\nThe group is also notable as one of the first 1980s American underground rock bands to contract with a major record label, a move that blazed the trail for the rise of alternative rock a few years later. Another key Minneapolis band who served as an alternative rock icebreaker was The Replacements, who had a friendly rivalry with Hüsker Dü.\n\nMould has gone on to release other albums, including a recent solo double album release called Body of Song. Prior to that he took a stint as a writer for World Championship Wrestling (WCW) scripting scenarios and fights.\n\nGrant Hart died from cancer on September 14, 2017. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply."}}55:T214c,{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","type":"Group","type-id":"e431f5f6-b5d2-343d-8b36-72607fffb74b","score":100,"name":"Hüsker Dü","sort-name":"Hüsker Dü","country":"US","area":{"id":"489ce91b-6658-3307-9877-795b68554c98","type":"Country","type-id":"06dd0ae4-8c74-30bb-b43d-95dcedf961de","name":"United States","sort-name":"United States","life-span":{"ended":null}},"begin-area":{"id":"96713a37-1ebb-419e-b052-ffc93ceabcb2","type":"City","type-id":"6fd8f29a-3d0a-32fc-980d-ea697b69da78","name":"Saint Paul","sort-name":"Saint Paul","life-span":{"ended":null}},"isnis":["0000000123699617"],"life-span":{"begin":"1979","end":"1987","ended":true},"aliases":[{"sort-name":"Husker Du","name":"Husker Du","locale":null,"type":null,"primary":null,"begin-date":null,"end-date":null}],"tags":[{"count":1,"name":"rock"},{"count":5,"name":"alternative rock"},{"count":1,"name":"hardcore"},{"count":2,"name":"punk"},{"count":5,"name":"hardcore punk"},{"count":2,"name":"post-hardcore"},{"count":0,"name":"classic pop and rock"},{"count":1,"name":"gratuitous heavy metal umlaut"}],"urls":[{"id":"3f00fcf0-876c-4d34-97fd-1a8bc6ca8678","score":100,"resource":"https://myspace.com/huskerdufans","relation-list":[{"relations":[{"type":"myspace","type-id":"bac47923-ecde-4b59-822e-d08f0cd10156","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"a395f9fb-3718-4278-9ccb-5ae269b8721b","score":100,"resource":"https://huskerdu.bandcamp.com/","relation-list":[{"relations":[{"type":"bandcamp","type-id":"c550166e-0548-4a18-b1d4-e2ae423a3e88","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"c21683e4-90ac-43c4-9d9b-adafcb447bf3","score":98,"resource":"https://www.facebook.com/huskerdutributeband","relation-list":[{"relations":[{"type":"social network","type-id":"99429741-f3f6-484b-84f8-23af51991770","direction":"backward","artist":{"id":"5be5d4d5-a4a8-4c08-b65a-13e94fb650fe","name":"Re Dü","sort-name":"Re Dü"}}]}]},{"id":"1e08a9a3-cc96-4ddb-932c-87c18648fdf1","score":98,"resource":"https://rateyourmusic.com/artist/husker_du","relation-list":[{"relations":[{"type":"other databases","type-id":"d94fb61c-fa20-4e3c-a19a-71a949fb2c55","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"1428291f-192a-4262-afda-e93ab23933cd","score":98,"resource":"https://www.facebook.com/huskerduofficial","relation-list":[{"relations":[{"type":"social network","type-id":"99429741-f3f6-484b-84f8-23af51991770","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"749b1a47-8042-40f4-ae25-b1c3968b7458","score":98,"resource":"https://genius.com/artists/Husker-du","relation-list":[{"relations":[{"type":"lyrics","type-id":"e4d73442-3762-45a8-905c-401da65544ed","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"3507e85b-7373-48c9-95da-0781fca2cf6c","score":98,"resource":"http://rapspot.dk/2010/09/05/husker-k%C3%B8lig-solgt-1997/"},{"id":"0bd0feb4-0410-44bf-98d2-ee2effc40ab0","score":97,"resource":"https://www.thecurrent.org/collection/husker-du/","relation-list":[{"relations":[{"type":"free streaming","type-id":"08445ccf-7b99-4438-9f9a-fb9ac18099ee","direction":"backward","release":{"id":"fc64b945-aef9-49cb-b2d0-4964ad4e6e65","title":"Hüsker Dü: Do You Remember?"}}]}]},{"id":"e6299fb8-c7f6-419f-89be-1eb4d08d59cb","score":97,"resource":"https://www.qobuz.com/gb-en/interpreter/husker-du/82893","relation-list":[{"relations":[{"type":"streaming","type-id":"63cc5d1f-f096-4c94-a43f-ecb32ea94161","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}},{"type":"purchase for download","type-id":"f8319a2f-f824-4617-81c8-be6560b3b203","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"276f7e65-1b15-452b-8e4a-167aaa5e0259","score":97,"resource":"https://www.setlist.fm/setlists/husker-du-7bd6ae14.html","relation-list":[{"relations":[{"type":"setlistfm","type-id":"bf5d0d5e-27a1-4e94-9df7-3cdc67b3b207","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"c9c94b29-bd0d-4b4c-b2ec-acd76e05677c","score":97,"resource":"https://www.beatport.com/release/rk-huskers/5708282","relation-list":[{"relations":[{"type":"streaming","type-id":"320adf26-96fa-4183-9045-1f5f32f833cb","direction":"backward","release":{"id":"5d14b7df-73b3-44bc-90b1-6f464e871f55","title":"R.K. 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Minutemen were a band from San Pedro, California, formed in 1980 by childhood friends [url=http://www.discogs.com/artist/D.+Boon]Dennes \"D.\" Boon[/url] (vocals, guitar) and [a=Mike Watt] (bass, vocals) following the break-up of their previous band, [a1643632]. Although technically considered a punk rock band, the group frequently added elements of funk and jazz into their songs and would also incorporate classic rock covers into their records and live sets, most notably covering [a=Steely Dan], [a=Van Halen], [a=Creedence Clearwater Revival], and [a=Blue Öyster Cult] (the latter two were huge influences on a young Boon and Watt). The band was known for the brevity of their songs, freeing them from solos, choruses, breakdowns, and fade-outs. Also, [a=D. Boon] was known for his very trebly guitar tone, believing in a \"democratic\" sound, in which all instruments would sound distinct and be equally represented. \r\n\r\nBoon and Watt had wanted to include Reactionaries drummer [a=George Hurley] when the Minutemen formed, but he had immediately joined another band ([a=Hey Taxi]) following the Reactionaries demise, so instead they recruited a local welder named Frank Tonche to play drums. The Minutemen played their first show with [a=Black Flag] and the two bands would develop a close relationship. Tonche quit after the group's second show, disliking the punk audiences that the band played for, and Hurley opted to join the band (a collection of recordings with Tonche, called \"Georgeless\", was released on 7\" vinyl in 1993). While D. Boon would sing the majority of the songs, all 3 members contributed to the songwriting. The band was extremely prolific, issuing 4 LPs and 6 EPs in 5 years, and also appearing on numerous compilations. Their 1984 double LP, \"Double Nickels On The Dime\", is their most critically well-received release. Most of their work was issued via Black Flag's [l=SST Records] and the band's own label, [l=New Alliance Records].\r\n\r\nThe Minutemen came to end on December 22, 1985, when D. Boon, at age 27, was killed in automobile accident in Arizona. The following year, a collection of live recordings called \"Ballot Result\" was released by SST. Following Boon's death, Watt sold New Alliance to SST Records. In 1986, a Minutemen fan named [a=Ed Crawford] encouraged Watt and Hurley to form a new band with him. The band, [a=fIREHOSE], existed until 1994. Since then, Watt and Hurely have played with various bands and sessions and Watt has also released several solo albums. 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They were noted in the Californian punk rock community for a philosophy of \"jamming econo\": a sense of thriftiness reflected in their touring and presentation.\n\nThey were influenced heavily by bands such as Wire, The Pop Group, and The Urinals, and nearly all of their early songs had unusual structures and were less than a minute long — even later when the Minutemen's music became slightly more conventional, their songs rarely passed the three-minute mark. Though the Minutemen were members of the hardcore punk community, and were somewhat influenced by the speed, brevity and intensity of hardcore punk, they were known for hybridizing punk rock and hardcore with various forms of music (like jazz, funk, acid rock, and R&B) separating them from most hardcore bands of that era. Read more on Last.fm. 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The band consisted of Bob Mould (guitars, vocals), Greg Norton (bass) and Grant Hart (1961 – 2017) (drums, vocals). Mould and Hart split the song-writing duties. The band was never widely popular, but had an impact much larger than sales might indicate. \"Husker Du\" is Danish/Norwegian for \"Do You Remember\" (also a popular children's game as Hūsker Dū?). Read more on Last.fm","content":"Hüsker Dü was an American alternative rock band from Minneapolis/St. Paul, Minnesota, active from 1979 to 1987. The band consisted of Bob Mould (guitars, vocals), Greg Norton (bass) and Grant Hart (1961 – 2017) (drums, vocals). Mould and Hart split the song-writing duties. The band was never widely popular, but had an impact much larger than sales might indicate. \"Husker Du\" is Danish/Norwegian for \"Do You Remember\" (also a popular children's game as Hūsker Dū?). Hüsker Dü first gained notice as a hardcore band, with thrashing tempos & screamed vocals, but also with a melodic, soulful edge that became more pronounced in the band's mid-career, as they drifted away from their early sound. They were also a striking trio on stage — far different from the typical hardcore band of the time — with Mould's hulking, doughy presence shouting angrily at stage left, offset by the generally unkempt, long-haired Hart flailing on the drums, and the lanky, good-natured Norton, who sported a waxed handlebar moustache for most of the band's career.\n\nHüsker Dü broke with the anti-traditionalist ethos of most early hardcore bands. Their early songwriting shows the influence of folk, 1960s pop music, blues, and other forms (although often buried under a thick layer of angst and aggression), and has a strong melodic sense. The lyrics made astute, sharp, personal and social commentary, showing a great deal of vulnerability and sympathy for their subjects. Hüsker Dü's songwriting was widely admired, and their live shows were often a venue for brilliant improvisational playing. (A feedback-laden solo guitar performance from an early-'80s soundcheck tape merited release via the avant-garde Telus Magazine.) Hüsker Dü were also, however, widely regarded as somewhat unusual-sounding in their early prime, due to the instruments' non-standard tones: Mould's guitar is described below, while Hart's drums were considered 'thumpy' (and he consistently played slightly behind the beat); Norton played bass fairly laconically even at fast tempos, using his fingers rather than a pick. The band's sound can be considered an organic synthesis of these elements -- a unit that was quite powerful in combination, yet perhaps difficult to parse singly.\n\nA particular strength of the group was the two powerhouse singer/songwriters, Mould and Hart. The tension between their musical styles (Mould was generally the angrier songwriter, Hart the more melodic one), and their willingness to collaborate, made the sum of their contributions greater than their parts. Another strength was Mould's unique, resonant guitar sound, described by a critic at the time as \"molten metal pouring from the speakers.\" Mid-period Hüsker Dü songs are immediately recognizable via Mould's incandescent guitar tone, achieved by splitting the signal in the studio between amplified and direct tones and adding a light stereo chorus effect. Mould's technique involved playing resonant drone notes on the high strings. Although a trio, Hüsker Dü generally sounded extremely large on record and live.\n\nThe group is also notable as one of the first 1980s American underground rock bands to contract with a major record label, a move that blazed the trail for the rise of alternative rock a few years later. Another key Minneapolis band who served as an alternative rock icebreaker was The Replacements, who had a friendly rivalry with Hüsker Dü.\n\nMould has gone on to release other albums, including a recent solo double album release called Body of Song. Prior to that he took a stint as a writer for World Championship Wrestling (WCW) scripting scenarios and fights.\n\nGrant Hart died from cancer on September 14, 2017. Read more on Last.fm. 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Minutemen were a band from San Pedro, California, formed in 1980 by childhood friends [url=http://www.discogs.com/artist/D.+Boon]Dennes \"D.\" Boon[/url] (vocals, guitar) and [a=Mike Watt] (bass, vocals) following the break-up of their previous band, [a1643632]. Although technically considered a punk rock band, the group frequently added elements of funk and jazz into their songs and would also incorporate classic rock covers into their records and live sets, most notably covering [a=Steely Dan], [a=Van Halen], [a=Creedence Clearwater Revival], and [a=Blue Öyster Cult] (the latter two were huge influences on a young Boon and Watt). The band was known for the brevity of their songs, freeing them from solos, choruses, breakdowns, and fade-outs. Also, [a=D. Boon] was known for his very trebly guitar tone, believing in a \"democratic\" sound, in which all instruments would sound distinct and be equally represented. \r\n\r\nBoon and Watt had wanted to include Reactionaries drummer [a=George Hurley] when the Minutemen formed, but he had immediately joined another band ([a=Hey Taxi]) following the Reactionaries demise, so instead they recruited a local welder named Frank Tonche to play drums. The Minutemen played their first show with [a=Black Flag] and the two bands would develop a close relationship. Tonche quit after the group's second show, disliking the punk audiences that the band played for, and Hurley opted to join the band (a collection of recordings with Tonche, called \"Georgeless\", was released on 7\" vinyl in 1993). While D. Boon would sing the majority of the songs, all 3 members contributed to the songwriting. The band was extremely prolific, issuing 4 LPs and 6 EPs in 5 years, and also appearing on numerous compilations. Their 1984 double LP, \"Double Nickels On The Dime\", is their most critically well-received release. Most of their work was issued via Black Flag's [l=SST Records] and the band's own label, [l=New Alliance Records].\r\n\r\nThe Minutemen came to end on December 22, 1985, when D. Boon, at age 27, was killed in automobile accident in Arizona. The following year, a collection of live recordings called \"Ballot Result\" was released by SST. Following Boon's death, Watt sold New Alliance to SST Records. In 1986, a Minutemen fan named [a=Ed Crawford] encouraged Watt and Hurley to form a new band with him. The band, [a=fIREHOSE], existed until 1994. Since then, Watt and Hurely have played with various bands and sessions and Watt has also released several solo albums. 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They were noted in the Californian punk rock community for a philosophy of \"jamming econo\": a sense of thriftiness reflected in their touring and presentation.\n\nThey were influenced heavily by bands such as Wire, The Pop Group, and The Urinals, and nearly all of their early songs had unusual structures and were less than a minute long — even later when the Minutemen's music became slightly more conventional, their songs rarely passed the three-minute mark. Though the Minutemen were members of the hardcore punk community, and were somewhat influenced by the speed, brevity and intensity of hardcore punk, they were known for hybridizing punk rock and hardcore with various forms of music (like jazz, funk, acid rock, and R&B) separating them from most hardcore bands of that era. Read more on Last.fm. 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The band consisted of Bob Mould (guitars, vocals), Greg Norton (bass) and Grant Hart (1961 – 2017) (drums, vocals). Mould and Hart split the song-writing duties. The band was never widely popular, but had an impact much larger than sales might indicate. \"Husker Du\" is Danish/Norwegian for \"Do You Remember\" (also a popular children's game as Hūsker Dū?). Read more on Last.fm","content":"Hüsker Dü was an American alternative rock band from Minneapolis/St. Paul, Minnesota, active from 1979 to 1987. The band consisted of Bob Mould (guitars, vocals), Greg Norton (bass) and Grant Hart (1961 – 2017) (drums, vocals). Mould and Hart split the song-writing duties. The band was never widely popular, but had an impact much larger than sales might indicate. \"Husker Du\" is Danish/Norwegian for \"Do You Remember\" (also a popular children's game as Hūsker Dū?). Hüsker Dü first gained notice as a hardcore band, with thrashing tempos & screamed vocals, but also with a melodic, soulful edge that became more pronounced in the band's mid-career, as they drifted away from their early sound. They were also a striking trio on stage — far different from the typical hardcore band of the time — with Mould's hulking, doughy presence shouting angrily at stage left, offset by the generally unkempt, long-haired Hart flailing on the drums, and the lanky, good-natured Norton, who sported a waxed handlebar moustache for most of the band's career.\n\nHüsker Dü broke with the anti-traditionalist ethos of most early hardcore bands. Their early songwriting shows the influence of folk, 1960s pop music, blues, and other forms (although often buried under a thick layer of angst and aggression), and has a strong melodic sense. The lyrics made astute, sharp, personal and social commentary, showing a great deal of vulnerability and sympathy for their subjects. Hüsker Dü's songwriting was widely admired, and their live shows were often a venue for brilliant improvisational playing. (A feedback-laden solo guitar performance from an early-'80s soundcheck tape merited release via the avant-garde Telus Magazine.) Hüsker Dü were also, however, widely regarded as somewhat unusual-sounding in their early prime, due to the instruments' non-standard tones: Mould's guitar is described below, while Hart's drums were considered 'thumpy' (and he consistently played slightly behind the beat); Norton played bass fairly laconically even at fast tempos, using his fingers rather than a pick. The band's sound can be considered an organic synthesis of these elements -- a unit that was quite powerful in combination, yet perhaps difficult to parse singly.\n\nA particular strength of the group was the two powerhouse singer/songwriters, Mould and Hart. The tension between their musical styles (Mould was generally the angrier songwriter, Hart the more melodic one), and their willingness to collaborate, made the sum of their contributions greater than their parts. Another strength was Mould's unique, resonant guitar sound, described by a critic at the time as \"molten metal pouring from the speakers.\" Mid-period Hüsker Dü songs are immediately recognizable via Mould's incandescent guitar tone, achieved by splitting the signal in the studio between amplified and direct tones and adding a light stereo chorus effect. Mould's technique involved playing resonant drone notes on the high strings. Although a trio, Hüsker Dü generally sounded extremely large on record and live.\n\nThe group is also notable as one of the first 1980s American underground rock bands to contract with a major record label, a move that blazed the trail for the rise of alternative rock a few years later. Another key Minneapolis band who served as an alternative rock icebreaker was The Replacements, who had a friendly rivalry with Hüsker Dü.\n\nMould has gone on to release other albums, including a recent solo double album release called Body of Song. Prior to that he took a stint as a writer for World Championship Wrestling (WCW) scripting scenarios and fights.\n\nGrant Hart died from cancer on September 14, 2017. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply."}}61:T214c,{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","type":"Group","type-id":"e431f5f6-b5d2-343d-8b36-72607fffb74b","score":100,"name":"Hüsker Dü","sort-name":"Hüsker Dü","country":"US","area":{"id":"489ce91b-6658-3307-9877-795b68554c98","type":"Country","type-id":"06dd0ae4-8c74-30bb-b43d-95dcedf961de","name":"United States","sort-name":"United States","life-span":{"ended":null}},"begin-area":{"id":"96713a37-1ebb-419e-b052-ffc93ceabcb2","type":"City","type-id":"6fd8f29a-3d0a-32fc-980d-ea697b69da78","name":"Saint Paul","sort-name":"Saint Paul","life-span":{"ended":null}},"isnis":["0000000123699617"],"life-span":{"begin":"1979","end":"1987","ended":true},"aliases":[{"sort-name":"Husker Du","name":"Husker Du","locale":null,"type":null,"primary":null,"begin-date":null,"end-date":null}],"tags":[{"count":1,"name":"rock"},{"count":5,"name":"alternative rock"},{"count":1,"name":"hardcore"},{"count":2,"name":"punk"},{"count":5,"name":"hardcore punk"},{"count":2,"name":"post-hardcore"},{"count":0,"name":"classic pop and rock"},{"count":1,"name":"gratuitous heavy metal umlaut"}],"urls":[{"id":"3f00fcf0-876c-4d34-97fd-1a8bc6ca8678","score":100,"resource":"https://myspace.com/huskerdufans","relation-list":[{"relations":[{"type":"myspace","type-id":"bac47923-ecde-4b59-822e-d08f0cd10156","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"a395f9fb-3718-4278-9ccb-5ae269b8721b","score":100,"resource":"https://huskerdu.bandcamp.com/","relation-list":[{"relations":[{"type":"bandcamp","type-id":"c550166e-0548-4a18-b1d4-e2ae423a3e88","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"c21683e4-90ac-43c4-9d9b-adafcb447bf3","score":98,"resource":"https://www.facebook.com/huskerdutributeband","relation-list":[{"relations":[{"type":"social network","type-id":"99429741-f3f6-484b-84f8-23af51991770","direction":"backward","artist":{"id":"5be5d4d5-a4a8-4c08-b65a-13e94fb650fe","name":"Re Dü","sort-name":"Re Dü"}}]}]},{"id":"1e08a9a3-cc96-4ddb-932c-87c18648fdf1","score":98,"resource":"https://rateyourmusic.com/artist/husker_du","relation-list":[{"relations":[{"type":"other databases","type-id":"d94fb61c-fa20-4e3c-a19a-71a949fb2c55","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"1428291f-192a-4262-afda-e93ab23933cd","score":98,"resource":"https://www.facebook.com/huskerduofficial","relation-list":[{"relations":[{"type":"social network","type-id":"99429741-f3f6-484b-84f8-23af51991770","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"749b1a47-8042-40f4-ae25-b1c3968b7458","score":98,"resource":"https://genius.com/artists/Husker-du","relation-list":[{"relations":[{"type":"lyrics","type-id":"e4d73442-3762-45a8-905c-401da65544ed","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"3507e85b-7373-48c9-95da-0781fca2cf6c","score":98,"resource":"http://rapspot.dk/2010/09/05/husker-k%C3%B8lig-solgt-1997/"},{"id":"0bd0feb4-0410-44bf-98d2-ee2effc40ab0","score":97,"resource":"https://www.thecurrent.org/collection/husker-du/","relation-list":[{"relations":[{"type":"free streaming","type-id":"08445ccf-7b99-4438-9f9a-fb9ac18099ee","direction":"backward","release":{"id":"fc64b945-aef9-49cb-b2d0-4964ad4e6e65","title":"Hüsker Dü: Do You Remember?"}}]}]},{"id":"e6299fb8-c7f6-419f-89be-1eb4d08d59cb","score":97,"resource":"https://www.qobuz.com/gb-en/interpreter/husker-du/82893","relation-list":[{"relations":[{"type":"streaming","type-id":"63cc5d1f-f096-4c94-a43f-ecb32ea94161","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}},{"type":"purchase for download","type-id":"f8319a2f-f824-4617-81c8-be6560b3b203","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"276f7e65-1b15-452b-8e4a-167aaa5e0259","score":97,"resource":"https://www.setlist.fm/setlists/husker-du-7bd6ae14.html","relation-list":[{"relations":[{"type":"setlistfm","type-id":"bf5d0d5e-27a1-4e94-9df7-3cdc67b3b207","direction":"backward","artist":{"id":"5c4c90a4-539f-4101-83cf-301bc6a94e06","name":"Hüsker Dü","sort-name":"Hüsker Dü"}}]}]},{"id":"c9c94b29-bd0d-4b4c-b2ec-acd76e05677c","score":97,"resource":"https://www.beatport.com/release/rk-huskers/5708282","relation-list":[{"relations":[{"type":"streaming","type-id":"320adf26-96fa-4183-9045-1f5f32f833cb","direction":"backward","release":{"id":"5d14b7df-73b3-44bc-90b1-6f464e871f55","title":"R.K. 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Minutemen were a band from San Pedro, California, formed in 1980 by childhood friends [url=http://www.discogs.com/artist/D.+Boon]Dennes \"D.\" Boon[/url] (vocals, guitar) and [a=Mike Watt] (bass, vocals) following the break-up of their previous band, [a1643632]. Although technically considered a punk rock band, the group frequently added elements of funk and jazz into their songs and would also incorporate classic rock covers into their records and live sets, most notably covering [a=Steely Dan], [a=Van Halen], [a=Creedence Clearwater Revival], and [a=Blue Öyster Cult] (the latter two were huge influences on a young Boon and Watt). The band was known for the brevity of their songs, freeing them from solos, choruses, breakdowns, and fade-outs. Also, [a=D. Boon] was known for his very trebly guitar tone, believing in a \"democratic\" sound, in which all instruments would sound distinct and be equally represented. \r\n\r\nBoon and Watt had wanted to include Reactionaries drummer [a=George Hurley] when the Minutemen formed, but he had immediately joined another band ([a=Hey Taxi]) following the Reactionaries demise, so instead they recruited a local welder named Frank Tonche to play drums. The Minutemen played their first show with [a=Black Flag] and the two bands would develop a close relationship. Tonche quit after the group's second show, disliking the punk audiences that the band played for, and Hurley opted to join the band (a collection of recordings with Tonche, called \"Georgeless\", was released on 7\" vinyl in 1993). While D. Boon would sing the majority of the songs, all 3 members contributed to the songwriting. The band was extremely prolific, issuing 4 LPs and 6 EPs in 5 years, and also appearing on numerous compilations. Their 1984 double LP, \"Double Nickels On The Dime\", is their most critically well-received release. Most of their work was issued via Black Flag's [l=SST Records] and the band's own label, [l=New Alliance Records].\r\n\r\nThe Minutemen came to end on December 22, 1985, when D. Boon, at age 27, was killed in automobile accident in Arizona. The following year, a collection of live recordings called \"Ballot Result\" was released by SST. 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